Beginning in 1958, under the direction of Licisco Maganato, a new organisation of the entire building was planned, to restore the value of the notable historical and artistic patrimonies. This critical and historical revision favoured authenticity, and thus eliminated the false contexts created in the previous renovation. The task of restoration and museum installation was entrusted to the architect Carlo Scarpa, whose highly original solution is universally recognised as one of the finest examples of museum renovation of post-war Italy.